Otto Weininger believed that melody matters more than rhythm:
In music in particular what matters is the most articulate sensibility imaginable. There is nothing more definite, more characteristic, more urgent than a melody, nothing that would suffer more from being blurred. That is why one remembers what has been sung so much more easily than what has been spoken, arias always better than recitatives, and that is why the sprechgesang takes so much studying by the singer of Wagner. (Quoted from Western Music and Race, edited by Julie Brown, Cambridge University Press. 2007. p. 87; the passage is originally from Weininger’s book Sex and Character, Indiana University Press. 2005. pp. 105-6.)
For a brief biography of Otto Weininger, click here.
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