The more grounded in the past a culture is, the more it resists the avant-garde. Look at Oscar Howe -- born Joe Creek on the Crow Creek Reservation -- who in 1958 sent his new painting to the Philbrook Museum of Art to be in an exhibition. The curator, Jeanne O. Snodgrass, rejected it from consideration of an award, as “not Indian.” Writing her, Howe commented on work that departs from the accustomed:
Who ever said that my paintings are not in the traditional Indian style has poor knowledge of Indian Art indeed. There is much more to Indian Art than pretty, stylized pictures. . . . Every bit of my paintings is a true studied fact of Indian paintings. Are we to be held back forever with one phase of Indian painting, with no right for individualism, dictated to as the Indian always has been, put on reservations and treated like a child, and only the White Man knows what is best for him?
(Quoted from page 37 of “Oscar Howe and the Transformation of Native American Art," by Mark Andrew White, American Indian Art Magazine, Vol. 23, No. 1, Winter 1997.)
For a brief biography of Oscar Howe, click here. For images of Oscar Howe and some of his paintings, click here.
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