Impressions about a thing dramatically color our emotions about the thing:
People stand absorbed before a van Gogh. If they then learn it is a fake, their hearts turn cold.
People recall lovingly their memories of years of marriage. If they then learn their spouses have faked it, the memories turn worthless.
And if people were to discover that the stars are light bulbs a mile above, poof would go the sublime, never wanting to look up again. Logan Pearsall Smith uses the example of the stars to explain the deeper principle of the impression giving the object its value:
The knowledge that the universe is a multitude of minute spheres circling, like specks of dust, in a dark and boundless void, might leave us cold and indifferent, if not bored and depressed, were it not that we identify this hypothetical scheme with the visible splendour, the poignant intensity, and the baffling number of stars. So far is the object from giving value to the impression, that it is here, as it must always ultimately be, the impression that gives value to the object. For all worth leads us back to actual feeling somewhere, or else evaporates into nothing –- into a word and a superstition.
(Quoted from page 128 of Little Essays Drawn from the Writings of George Santayana, by Logan Pearsall Smith. Books For Libraries Press, 1967 reprint; first published 1920.)
For a brief biography of Logan Pearsall Smith, click here. For images of or relating to Logan Pearsall Smith, click here.
For a brief biography of George Santayana, click here. For images of or relating to George Santayana, click here.
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