Most emblems, notes William Gass, point to a specific thing, but when the emblem is a great memorial it is versatile:
Great memorials are curiously non-committal. Remove Lincoln’s statue and put in FDR’s. No problem. Greek temples are quite general. Liberty’s torch can stand for Victory. Or Fidelity. Or Truth. . . . The Sphinx says nothing to us; it is blank in its stare as the sky and silent in its posture as the sand –- or, if you wish: sky silent/sand blank . . . the monumental monument tends to be, in this way, an open emblem. It tends to be FOR RENT.
(Quoted from page 12 of Monuments & Maidens: The Allegory of the Female Form, by Marina Warner. University of California Press, 1985.)
For a brief biography of William Gass, click here. For images of or relating to William Gass, click here.
For information about Marina Warner, click here. For images of or relating to Marina Warner, click here.
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