Writers and filmmakers rely on understanding without conscious reasoning:
Imperceptibly shots would start to sort themselves, migrating from film-can to film-can and gathering like molecules round a nucleus. But there was no conscious thought directing it. . . . Flaherty would suddenly realize that he was looking at a sequence. It was a peculiar sensation. One day a mere collection of shots joined up together, the next, a perceptible semblance of a sequence, seemingly self-generated, organic, belonging.
(Quoted from page 189 of Musicologia, by Robin Maconie. The Scarecrow Press, 2010.)
For a brief biography of Arthur Calder-Marshall, click here. For images of or relating to Arthur Calder-Marshall, click here.
For a brief biography of Robin Maconie, click here. For images of or relating to Robin Maconie, click here.
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