Brad Taylor says in the January 24, 2021, NY Times Book Review:
Without a doubt, characters. Characters, characters, characters. One could write a scene where a car bomb is placed in an empty parking lot, set to go off in two minutes. The buildup is intense, with a “Day of the Jackal” feel of finding components and creating the device, but at the end of the day, do readers care about the empty parking lot? No. They only care if that bomb is going to harm someone they’ve invested emotional energy in — and that is the character of the story. Setting, pace and trajectory are important, but they’re irrelevant without the reader’s emotional investment, and that is driven by characters.
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